This book is about ardent Korean female fans of gay representation in the media, their status in contemporary Korean society, their relationship with other groups such as the gay population, and, above all, their contribution to reshaping the Korean media's portrayal of gay people. Jungmin Kwon names the Korean female fandom for gay portrayals as “FANtasy” subculture, and argue...(展开全部)

A straight white girl can kiss a girl, like it, and still call herself straight—her boyfriend may even encourage her. But can straight white guys experience the same easy sexual fluidity, or would kissing a guy just mean that they are really gay? Not Gay thrusts deep into a world where straight guy-on-guy action is not a myth but a reality: there’s fraternity and military hazin...(展开全部)

男同志丹•安德森（Dan Anderson）與異性戀瑪姬•柏曼（Maggie Berman）兩人是多年的至交好友，現居住於紐約。瑪姬在性愛上所面臨到的困境，正好由丹提供了最佳諮詢，於是兩人決定把在酒吧喝酒聊男人所交換的經驗談，寫成一本性愛指南。

男同志丹•安德森（Dan Anderson）與異性戀瑪姬•柏曼（Maggie Berman）兩人是多年的至交好友，現居住於紐約。瑪姬在性愛上所面臨到的困境，正好由丹提供了最佳諮詢，於是兩人決定把在酒吧喝酒聊男人所交換的經驗談，寫成一本性愛指南。

Twenty years in the making, Clyde Fans peels back the optimism of mid-twentieth century capitalism. The legendary Canadian cartoonist Seth lovingly shows the rituals, hopes, and delusions of a middle class that has long ceased to exist in North America―garrulous men in wool suits extolling the virtues of their wares to taciturn shopkeepers with an eye on the door. Much like the...(展开全部)

简介：这里单纯好图分享，希望大家都看看各位仙子的美貌吧，不定期更 望喜

Twenty years in the making, Clyde Fans peels back the optimism of mid-twentieth century capitalism. The legendary Canadian cartoonist Seth lovingly shows the rituals, hopes, and delusions of a middle class that has long ceased to exist in North America―garrulous men in wool suits extolling the virtues of their wares to taciturn shopkeepers with an eye on the door. Much like the...(展开全部)

Henry Jenkins's pioneering work in the early 1990s promoted the idea that fans are among the most active, creative, critically engaged, and socially connected consumers of popular culture, and that they represented the vanguard of a new relationship with mass media. Though largely invisible to the general public at the time, today, media producers and advertisers, not to mentio...(展开全部)

Get a life,' William Shatner told Star Trek fans. Yet, as Textual Poachers argues, fans already have a life,' a complex subculture which draws its resources from commercial culture while also reworking them to serve alternative interests. Rejecting stereotypes of fans as cultural dupes, social misfits, and mindless consumers, Jenkins represents media fans as active producers an...(展开全部)